This lovely novel has everything: lyrical prose, passionate descriptions, a windswept Edisto, South Carolina setting, a crotchety, Hungarian matriarchal figure named Helena with a mysterious past, whose prosperous, white-collar nephew hires narrator Elenor Murray to tend to her demands, in a seaside house filled with priceless portraits of unknown origins. And music? The Time Between is filled with classical music, running through the story thematically from the hands of Elenor, who, racked with guilt over her involvement in her sister’s life-altering accident and her father’s death, has foresworn her love of the piano. And yet, the reader learns, Helena’s past in war-torn Hungary incrementally unfolds as the two women learn to trust each other. In Hungary, we learn, Helena’s life was centered upon music, as Helena was one of three sisters regionally famous as a trio before the war tossed their life asunder. It is the piano that draws Elenor and Helena slowly together, and Helena’s nephew, Finn, who ultimately links the two women by loving both. I loved everything about this steady-paced, intriguing story. It is replete with love, history, the complications of family, redemption and growth. I received this novel as a surprise for joining the infamous book club, the Pulpwood Queens, by its book-loving headmistress, Kathy Murphy. Reading this novel has made a Karen White fan of me!
Because I once lived in a small town in Connemara, at the gateway of the Irish-speaking area called the Gaeltacht, I look for those novels that depict the region as it is, for once one has spent significant time there, its ways and means register in the soul with perpetual resonance, leaving one forever nostalgic for what can only be described as the west of Ireland’s consciousness. It isn’t easy to capture, for all its subtle nuances, yet author Kathleen Anne Kenney has done just that in writing Girl on the Leeside in the manner the region deserves, which is to say this beautiful story is gifted to the reader with a sensitive, light touch.
Girl on the Leeside is deep in character study. Most of what happens concerns the human predicament, no matter where it is set. More than a coming of age story centered on twenty seven year old Siobhan Doyle, it is a story of the path to emotional maturity, out of a circumstantial comfort zone, (which, in this case, is perfectly plausible, due to its isolated and insular Irish setting) into all that it takes to overcome one’s self-imposed limitations to brave the risk of furthering one’s life.
In utter fearlessness, Kathleen Anne Kenney invites the reader to suspend disbelief in giving us an otherworldly character that speaks to the inner fairy in those who dare to dream. Small and ethereal Siobhan is orphaned at the age of two by her unconventional mother, and father of unknown origin. She is taken in and raised by her mother’s brother, Keenan Doyle, the publican of his family’s generational, rural establishment called the Leeside, near the shores of a lough tucked away in remote Connemara. Introverted, with little outside influence, she is keenly possessed by her culture’s ancient poetry and folklore. She is a natural born artist, gifted with an intuitive grasp on words and story, a passion shared by her Uncle Keenan, yet so pronounced in her that she walks the line between fantasy and reality. It isn’t easy to redirect one’s invested frame of reference in the world, if it isn’t completely necessary, yet necessity arrives at the Leeside, when American professor of ancient Irish poetry and folklore, Tim Ferris, comes to compare literary notes with Siobhan and Keenan. It is this catalyst that sets the wheels in motion of a heartfelt, insightful story that involves the willingness to grow. All throughout, author Kathleen Anne Kenney explores the myriad fears that get in the way, and shows us the way to triumph.
Girl on the Leeside is a deceptively soft read. It is so laden with beautiful imagery, so seamlessly woven with radiant poetry that it lulls you into its poignancy and holds you captive, all the way to its satisfying end.
Meet Fall Flash Fiction Contest Runner Up Claire Fullerton, Author of “Metal Gray”
Claire Fullerton is a runner up in the WOW! Women on Writing Fall Flash Fiction Contest with the very beautiful story Metal Gray. She is the author of contemporary fiction, Dancing to an Irish Reel, set on the west coast of Ireland, and paranormal mystery, in two time frames, A Portal in Time, set in Carmel-by-the-Sea, California. Both books published by Vinspire Publishing. Claireâ€™s third novel, Mourning Dove, is a Southern Family saga, set in Memphis, Tennessee, where Claire grew up. It will be published in June of 2018 by Firefly Southern Fiction. Claire has been published in multiple magazines, including Celtic Life International, Southern Writers Magazine, and The Dead Mule School of Southern Literature. Her essays have appeared in five of the Chicken Soup for the Soul books. Currently, Claire is writing her fourth novel. She lives in Malibu, California with her husband, two German shepherds, and one black cat.
Find out more about Claire by visiting her website www.clairefullerton.com, her blog, Writing Notes, and connect with her on Facebook and Twitter @cfullerton3.
Interview by Crystal J. Casavant-Otto
WOW!: Thank you so much for taking time out of your busy schedule for today’s interview. Congratulations again on your many accomplishments but most recently as a runner up in the WOW! Fall Flash Fiction Contest! So now down to business: where did you get the idea for the character of Ella in Metal Gray? You describe her so well it seems she must be part of your personal story as well? Please tell us more.
CLAIRE: I would love to tell you about Ella, thank you for asking. Ella is a significant character in my forthcoming novel, Mourning Dove, which is a southern family saga, set in Memphis, where I grew up. The book will be published by Firefly Southern Fiction in June of 2018. The background of Ella and this book is that I entered a 3,000 word piece in The 2013, San Francisco Writer’s Conferences’ contest, in the narrative nonfiction category. The piece came in as the runner up, and I will tell you now that when I entered the piece, it occurred to me that should anything in the slightest happen, I’d turn the piece into a novel, which I did. To clarify the obvious, a novel, of course, is fiction, yet I knew with my nonfiction piece that there was an entire world already there to work with, as long as I changed names, created scenes and other characters that contributed to the momentum of the story. I can report that Mourning Dove is fiction, but that the character of Ella as she appears in the book as well as in the flash-fiction piece I sent to WOW! is a composite of many women who populated my life while growing up in Memphis. Ella represents the voice of brass tacks reason, wherever she appears, in that she sees all, knows all, and keeps her lips tight. Ella is in it, but not of it, which provides fabulous objectivity. What I did when I entered WOW!’s flash fiction contest was give the description of Ella, then made up the ending to fit the 750 word guidelines, which means it needed to be unique, self-contained, and brief!
WOW!: So clearly, you are no stranger to Ella and no stranger to writing contests. What role do flash fiction pieces play in your writing life? Do you have advice for other authors as far as contests and flash fiction pieces are concerned?
CLAIRE: Yes, I love entering flash fiction contests, for it is a way of fine-tuning one’s craft. The art of brevity should be in each writer’s tool-kit, and I was thrilled when I discovered WOW!’s contest. To answer your question about advice I’d give to any author, I’d say getting in the traffic and staying in the traffic is very important. I’ll give you a personal example: Vinspire Publishing honored me and basically started my career by publishing my first two books back-to-back. My third novel, Mourning Dove, will not be out until 2018, so I have a gap, with regard to staying engaged with my readership. By entering contests, and hopefully placing somewhere, it gives me the opportunity to share my work as it is published. This, along with staying engaged with social media is the life-force of an author’s career. It also gives authors the opportunity to meet nice people like Crystal with WOW!
WOW!: Now I’m blushing – thank you so much! It certainly is sound advice about staying in the traffic. Wally Lamb is one of my favorite authors and I didn’t realize he had released a new book because he had such a gap and even though I’m an avid reader, he really fell off my map. I hope other authors take your advice and stay in the traffic (not to be confused with playing in traffic…giggle).
You recently wrote “I tend to be a stream of consciousness writer, in that I write whatever it is Iâ€™m thinking.”
Can you give us an example of when that wasn’t such a great idea or when it served you well?
CLAIRE: I think it has always served me well, and I’ll tell you why by answering this generally: I prefer writing in the first person. I think it lends immediate intimacy, and gives the reader the complete idea of who it is they’re listening to. I say I am a stream of consciousness writer because writing comes to me easily. I write the story from the voice within me, and very rarely labor. I think if a writer decides who the narrator is, with whatever nuances or backstory they may have, then they can assume the narrator’s voice, and write from there. Before I begin a novel, I know the story I want to tell. I know the beginning, middle and end, and let the rest create itself, though I do take notes along the way, when something comes to me that I think I should include, in order to drive the story forward by illustrating a point, or perhaps it is something wittily said that will lend flavor and help the reader better understand the narrator or other characters. Summarily, I think that, when writing, it is best to trust one’s own thoughts. I’d rather risk writing from an authentic place and having it misunderstood, than constructing something inauthentic only to realize it sounded contrived.
WOW!: I’m going to repeat what you just said because it’s worth repeating: “I’d rather risk writing from an authentic place and having it misunderstood, than constructing something inauthentic only to realize it sounded contrived.”
This is a quote to remember fellow writers. Thank you Claire for sharing this insight and truth.
Dancing to an Irish Reel will now be available in all the South Dublin Libraries and I’m curious
CLAIRE: I give full credit to the unlimited creativity and enthusiasm of Dancing to an Irish Reel’s publisher, Dawn Carrington of Vinspire Publishing. Dawn was well aware that I once lived in Ireland, and that Dancing to an Irish Reel is set on Ireland’s west coast. She wrote to many Irish library’s and simply introduced the book: it’s blurb, its cover, and much about me as its author. She embraced this book and got it out in the world, as she educated me on exactly how to be involved in the promotional process. I have learned that the promotional process is unending, and to me, it is actually fun. The process starts out in a small arena, by aligning with the obvious social media outlets ( FB, LinkedIn, Twitter, Instagram, Goodreads, etc.) but the thing is, once you’re aligned, it gets bigger! You end up meeting other authors through social media and by watching where they are and what they do, it triggers unending possibilities. I can tell you that after two novels that have been out in the world for a while, I am still discovering new places to promote because it is essentially a domino effect. But yes, library’s are a great avenue to explore, so I recommend that authors start locally, then get creative on the locations of libraries that may embrace the book, due to the book’s setting or subject matter.
WOW!: It’s nice to meet up with others who enjoy social media networking and all the endless possibilities!
I love your position of staying out of politics on social media (I too would rather talk about what unites us instead of what divides us). Have you ever approached a friend or colleague suggesting they tone down their political posts? How can we help spread the social media mentality of “See no evil…Hear no evil…Speak no evil” like Confucius
CLAIRE: Great question. I assume you saw the Word Press blog post I delicately wrote and hesitantly posted on this subject! I was torn over whether to post the piece or not! The impetus behind this came from too many months of vitriolic posts on Facebook during America’s recent presidential election. So many friends I’d been aligned with for years used Facebook as a forum to post their political views, and many of these friends are authors. I spoke to one author friend who was dismayed because one of her readers had taken her to task on something she posted concerning the election, and had declared she would unfollow her. I have pledged to never comment politically because I think it is polarizing. This isn’t to say that there is anything wrong with someone who chooses to do so, it’s just that many are so heated over the issues that a difference of political opinion can have unintended consequences for an author. I adore meeting readers and other authors via social media, but am clear why it is that they’re my friends, and what it is that brought us together. My overarching respect for books, authors, and readers makes it easy for me to leave politics alone.
WOW: That’s a good way to look at it – it’s out of respect! I love that!
Thanks so much for chatting with us today, Claire! Congratulations again on Metal Gray and best wishes to you all your future projects!
Every line in The Bookshop at Waterâ€™s End is soulfully written in seamlessly crafted chapters. Beginning in the emergency room of a Charleston, South Carolina hospital, this enchanting story never loses its page-turning sense of urgency, and yet it is delivered softly, as a deeply insightful, thought provoking character study on two women, whose lives are significantly entwined. Author Patti Callahan Henry knows her way around the nuances of women, and writes with uncommon fearlessness, as she tells the story of Bonny and Lainey, in their mid-forties now, who formed a life-long friendship at the age of thirteen while on family vacation in the small South Carolina coastal town of Watersend. Then and there, the wheels were set in motion of a dynamic that resonated forward with such resounding effect that even they were not aware of its repercussions. But there is no running from cause and effect, and when Bonny and Lainey have cause to return to Watersend, Â the threads of this story reverberate in love and longing, mystery and self-discovery, all woven together in one plausible tapestry.
Bonny Blankenshipâ€™s life and identity is centered upon her medical profession, whose seeds were planted at thirteen by uttering a fateful wish in one magical, belief-driven moment alongside Lainey, as the two swam in the river at Watersend. That her wish came true sets the foundation for Bonnieâ€™s side of the story, just as Laineyâ€™s simultaneous wish materializes, in what is ultimately an outgrowth from her anguished childhood. Lainey is an acclaimed artist, whose medium involves creating visual stories by piecing them together, an act, the reader suspects, that has much to do with piecing together the unresolved mystery around the disappearance of her mother. It is this singular, cataclysmic event that shapes the future for Lainey and her older brother, Owen, whom Bonnie secretly loves. It is the fear of friendshipâ€™s betrayal and Owenâ€™s mercurial nature that keeps Bonnyâ€™s love for Owen in arrested development. It is the longing of the heart and the reasoning of the mind that burdens her with the push and pull of loveâ€™s unrealized potential, even as her life path finds her married to another and raising a daughter named Piper.
The character, Piper Blankenship, seems to me the conscience of this story. She is nineteen, maladjusted, and written with such accurate sensitivity that I repeatedly pictured her at the heart of a great YA story. Her perspective gifts the reader with a view from the edge, and her pivotal placement in the story shows us unflinchingly who each of the adult characters are, as they try to find their footing amidst shifting tides.
The Bookshop at Waterâ€™s End is a story that never stops searching, and that many of its events are tied to Watersendâ€™s local bookshop is brilliantly symbolic. The bookshop is an anchor in full possession of the pastâ€™s facts, and its proprietress, Mimi, plays her cards close to the vest as she faithfully waits for the players in this story to discover the clues that will allow the looming puzzle affecting them all to fall into proper place.
Three cheers for author Patti Callahan Henry. She has given us a heart-wrenching, mesmerizing story of characters beautifully flawed and made them beautifully human.
Note: I won the ARC of this book in a Goodreads giveaway! The Bookshop at Water’s End will be released on July 11, 2017.
Once you attune yourself to the voice of this emotionally evocative story, it’ll submerge you in language like water running in a creek bed. Author Bren McClain takes the reader to a down on its luck farm, in the esoteric pocket of rural 1950’s Anderson, South Carolina, and delivers lines, such as “Get the by God out of my clean yard” and “He’d probably be drunk as a coot and trying to have relations with his common law.” It is McClain’s uncompromising use of language that gives us the consciousness of each character in this purpose driven story, who are all linked to each other by the common pursuit of raising a steer to enter into the 1952 Fat Cattle Show and Sale, with dreams of winning the monetary prize awarded to its Grand Champion. Every character has its own agenda, and the best and worst of human nature is depicted as we follow the motivation of each principal character to the destination of one fateful day. One Good Mama Bone opens with a birth’s gripping drama and never turns the reader loose throughout its breath-catching, suspenseful build. It gives us a protagonist in single mother Sarah Creamer, who doggedly fights the constraints of poverty and wrestles with her own beaten down identity, all in the name of selfless love for her young son, Emerson Bridge. Sarah’s quest tugs at the heartstrings with the lure of her incremental maternal awakening, as reflected in her relationship with a mother cow named Mama Red. That this story contains a nemesis in the contentious, self-serving cattleman Luther Dobbins, who throws up one heart-stopping obstacle after another on the road to Sarah and Emerson Bridges’ goal keeps the pages turning to the very end. I loved this book for the mood that descended every time I returned to its pages. It’s a rare book that hands you a life you can slip into, and an even rarer writer that’ll give you a million reasons to do it.